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If a particular style has a meaning in an already occurring set of beliefs, then that style may have a greater chance of become fashion. As fashion concerns people, and signifies social hierarchies, fashion intersects with politics and the social organization of societies. Whereas haute couture and business suits are associated by people in power, also groups aiming to challenge the political order also use clothes to signal their position.

By 1800, all Western Europeans were dressing alike ; local variation became first a sign of provincial culture and later a badge of the conservative peasant. In the 16th century, national differences were at their most pronounced. Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats.

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In December 2007, Arbaaz Khan and Arjan Bajwa were cast opposite Chopra. After confirming the principal cast, the media reported that Bhandarkar was having difficulty casting the male roles, including that of a homosexual clothing designer. Samir Soni and Harsh Chhaya were cast as the homosexual designers, and model Mugdha Godse was cast in a supporting role.

"Fashion," by contrast, describes the social and temporal system that "activates" dress as a social signifier in a certain time and context. Philosopher Giorgio Agamben connects fashion to the current intensity of the qualitative moment and to the temporal aspect the Greek call Kairos, whereas clothing belongs to the quantitative, what the Greek call Chronos. Whereas a trend often connotes a peculiar aesthetic expression, often lasting shorter than a season, fashion is a distinctive and industry-supported expression traditionally tied to the fashion season and collections. Style is an expression that lasts over many seasons and is often connected to cultural movements and social markers, symbols, class, and culture (ex. Baroque, Rococo, etc.).

It features playful, four young girls where a tall white girl is leaning with her arm on a shorter black girl's head. When this ad was released, some viewers harshly criticized that it underlies passive racism. A representative from The Root, black culture magazine commented on the ad that it portrays the message that black people are undervalued and seen like props for white people to look better. There were different points of views on this issue, some saying that people are being too sensitive, and some getting offended. Regardless of various views and thoughts, GAP replaced the ad to different image and apologized to critics. In eastern Indonesia, both the production and use of traditional textiles have been transformed as the production, use and value associated with textiles have changed due to modernization.

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